[img]http://cdn.7static.com/static/img/sleeveart/00/011/013/0001101324_350.jpg[/img]
[color=Green]Black Flowers Volume 1-2 [2009]True North / TND531[/color]
[img]http://i128.photobucket.com/albums/p180/SonAfterDark/tracklistlatest.png[/img]

1 A Thousand Lovers -Miles 3:34 
2 I Give Up -Miles 4:12 
3 Map of My Heart -Miles 4:46 
4 Night Drive -Miles 3:45 
5 You're Not Coming Back -Miles 2:33 
6 I'm the Moon -Miles 4:40 
7 Surrender Dorothy -Miles 4:07 
8 Over You -Miles 4:42 
9 Try Not to Be So Sad -Miles 3:47 
10 When My Ship Comes In -Miles 3:05 

  1  All I Ever Wanted -Miles 3:59 
  2  Eight Hour Drive -Miles 3:46 
  3  Rust -Miles 3:15 
  4  Flames of Love -Miles 3:39 
  5  Hide Your Heart -Miles 2:09 
  6  Last Night -Miles 3:46 
  7  When Did the World -Miles 4:41 
  8  I Always Told You the Truth -Miles 3:21 
  9  Black Flowers -Miles 3:27 
  10  The People You Love -Miles 3:04 


Canadian singer/songwriter Lynn Miles bases all of her tunes for this double-CD set on the lonely times, lost love, and downhearted feelings that stem from personal experience. It seems she expresses that fish-out-of-water state of being universally acknowledged by all thinking human beings plagued with emptiness. Yet this is not a blues-based music, but a folkish, introspective, storytelling type of sound so deeply ingrained that only she can express or experience it. Playing mainly acoustic, or occasionally electric guitar while singing, Miles has a crystal-clear approach to these songs, with little or no mystery involved, but instead a definite message of solitude within isolation. In a distant viewpoint, songs like "Map of My Heart," replete with echo and reverb guitar, the rambling "I'm the Moon," with a reference to a cheap hotel, and the faux denial of "Over You" as she's heading for New Mexico, show Miles in an escapist mood. There's a more hopeful sentiment in spoken phrases during "When My Ship Comes In" and the midtempo "All I Ever Wanted," while Miles plays harmonica for "Eight Hour Drive," even sounding Bob Dylan-ish during the more connected "Flames of Love." On occasion she puts aside the guitar for a piano, in Joni Mitchell-type reflection for "The People You Love" or "You're Not Coming Back." Honest to a fault, Lynn Miles wears her heart on her sleeve 100-percent of the time in a frequently painful but forthright musical portrayal of her soul.

cd ripped by EAC

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[url]http://dickthespic.org/2011/02/19/lynn-miles/[/url]